Few record labels captured the attitude, ambition and sound of an era quite like No Limit Records. Led by Master P, the New Orleans powerhouse turned the tank into one of Hip-Hop’s most recognizable logos while introducing the world to a deep roster that included Silkk the Shocker, Mia X, C-Murder, Fiend, Mac and more.
At its late-1990s peak, No Limit flooded record stores with albums, dominated BET and MTV with memorable videos and built a catalog of radio singles and street anthems that helped establish Southern Hip-Hop as a national force.
Houston gets a chance to relive that era when the Cash Money & No Limit Tour kicks off at Toyota Center on Friday, September 11, 2026 at 8 p.m. The lineup brings together Birdman, Juvenile, Mannie Fresh and B.G. from Cash Money alongside Master P, Silkk the Shocker, Mia X, Mac, Mercedes, Fiend, Mr. Serv-On and Choppa, with Boosie BadAzz appearing as a special guest.
With that much No Limit history scheduled to hit one stage, we went through the tank’s catalog and picked 10 No Limit classics we need to hear in Houston.
“Make ‘Em Say Uhh!” – Master P feat. Fiend, Silkk the Shocker, Mia X & Mystikal
Year: 1997 Album:Ghetto D
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If there is one record that represents No Limit at its commercial peak, this is it. The unforgettable “Uhh!” chant, KLC production and all-star lineup turned the record into a national anthem and helped push No Limit from a successful Southern label into mainstream Hip-Hop. The single reached No. 16 on the Billboard Hot 100.
“I’m Bout It, Bout It” – TRU feat. Mia X
Year: 1995 Album:True
The record became a Southern street anthem, and the phrase “bout it, bout it” became permanently connected to Master P and the No Limit brand.
P’s hustler persona, the memorable ice cream truck imagery and the song’s laid-back West Coast-influenced production made it one of the defining records of his early catalog.
“I Miss My Homies” – Master P
Year: 1997 Album:Ghetto D
No Limit wasn’t only about tank chains and aggressive street records. “I Miss My Homies” showed the emotional side of the movement.
“It Ain’t My Fault” – Silkk the Shocker
Year: 1998 Album:Charge It 2 da Game
The chemistry between Silkk the Shocker and Mystikal made “It Ain’t My Fault” one of the most recognizable No Limit records of the era. Its explosive hook, frantic energy and quotable refrain made it tailor-made for both radio and packed clubs.
“Bourbons and Lacs” – Master P feat. Mo B. Dick, Lil Gotti & E-A-Ski
Year: 1997 Album:Ghetto D
This one didn’t need to be No Limit’s biggest pop single to become a classic. “Bourbons and Lacs” was pure cruising music, celebrating customized cars, Southern street culture and the lifestyle that surrounded No Limit at the height of the label’s run.
“Hoody Hoo” – TRU
Year: 1999 Album:Da Crime Family
By 1999, Master P, C-Murder and Silkk the Shocker were established stars, and “Hoody Hooo” brought the Miller brothers back together as TRU.
Year: 1999 Album:No Limit Top Dogg / later featured on Trapped in Crime
Sometimes a record becomes even bigger years after its original release. “Down 4 My N’s” grew into one of the most enduring songs connected to the No Limit era. C-Murder is still locked up, but this one gotta spin regardles.
“That’s Cool” – Silkk the Shocker feat. Trina
Year: 2001 Album:My World, My Way
“That’s Cool” gave Silkk the Shocker one of the standout singles from the later No Limit era, pairing him with Trina at a time when Southern Hip-Hop was becoming an even bigger force nationally.
“Homies & Thugs” – Scarface feat. 2Pac & Master P
Year: 1998 Album:My Homies
Yeah, we know this is technically a Scarface song, but with Master P on the record and the tour kicking off in Houston, we’re hoping the H-Town legend pops out for this street classic. Hearing Scarface and P bring “Homies & Thugs” to life in front of a hometown Toyota Center crowd would be one of those special Houston moments.
From the opening “Uhh!” to the deepest street records, No Limit created the kind of catalog that was built for a tour like this. The Cash Money & No Limit Tour hits Houston’s Toyota Center on September 11, giving H-Town a chance to hear some of the records that helped change the direction of Southern Hip-Hop.
